Spring Contest 2025

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The theme for this contest is “The Remix.” For more details on the contest prize, see below.

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"It's not where you take things from — it's where you take them to." - Jean-Luc Goddard

As they say, there is nothing new under the sun. In this era of unprecedented consumption and having most of the information we want at our fingertips, how do we say something original? The season of spring conjures images of growth and renewal. And sometimes, that looks like remixing what already exists. The theme for this contest is "The remix."

Think of flipping R&B samples for a hip-hop song. Or wearing your dad's vintage denim. Or doctoring a family recipe and adding some extra "you" into it, whatever that looks like. Send us your work that takes an existing thought, concept, story, or idea and changes it. Make the old new again, make the orthodox transgressive. Write a poem that's an instruction manual, or a story that's a new version of a fairy tale. Make your language sing and tell us something we haven't heard before -- or tell it to us in a new way. ​

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With that in mind, there is one rule: please don’t send us fanfiction or submissions that feature copyrighted characters, settings, etc… If retelling a fairy tale, for example, we ask that you draw inspiration from sources in the public domain and that you add enough of your own unique twists and changes to ensure that your submission represents your own creative work.

 

Alternatively, you may also draw from your own previous work, adding twists to your past writing or to your life experiences.

 

If you do choose to write a piece "after" an existing copyrighted work, then please be sure to cite which piece you are responding to. For example, you might write below the title of your piece, "after Pablo Neruda's 'Ode to a Large Tuna in the Market.'" If you incorporate any quotes from the existing work then please keep any quotes brief and be sure to cite the original author and piece from which the quote was drawn. (We will consider pieces with quotes as epigraphs and similarly brief nods to existing works, but any submitted work that is found to be substantially or wholly not the product of the claimed author will be rejected.)

 

Interested in honing your poetry-writing skills for the contest? Then try taking our poetry workshop, Around the World of Poetry in 80 Days. This workshop will help you to brainstorm, draft, and revise poems of your own!

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Interested in becoming an editor for Polyphony Lit? Take our editorial training course and join the staff!

 

Spring Contest Guidelines

• Submissions will open on March 1st and will remain open until April 30th or until we reach our submission cap of 200 submissions.

• Please note that this is a separate submission category from Polyphony Lit Volume 20.​ Submissions to Polyphony Lit Volume 20 will receive feedback from the editors, but for the seasonal contests, only the winning submissions will receive feedback from the judge.

• If you have already submitted your work to the Volume 20 category, then please do not send the same submission to the contest category.

• If you submit to the contest category first and your work is declined, then you may submit it to the Volume 21 category after the contest is finished.

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Writer Qualifications​

• High school students from anywhere in the world are eligible to submit.

• We do not accept submissions from editors who currently serve on the staff of Polyphony Lit.

• Submit a maximum of three pieces.

• If submitting multiple pieces, please upload as separate submissions. Multiple pieces submitted in a single document will be withdrawn, and you will be asked to resubmit your pieces separately.

• We accept simultaneous submissions and work that has been published elsewhere. If submitting previously published work, please send a message in Submittable noting where and when your work has been published, and if it is eligible for republication. If it is accepted for publication elsewhere after submitting to Polyphony Lit, please notify us immediately but do not withdraw your submission if you are still interested in publication at Polyphony Lit. If we accept a previously published submission for publication, we will acknowledge the place of the original publication.

• Previously published pieces are not eligible for the Claudia Ann Seaman Awards.

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Length

• Poetry must be 80 lines or less.

• Fiction and creative nonfiction must be 1,800 words or less.

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Formatting

• Do not put your name on the piece, as all work is blind juried.

• Submissions longer than one page should have the page number inserted at the top (right or left side) of every page, as it would help our Judge specify the location for their commentary.

• We accept submission in .doc, .docx or .rtf formats.

• We prefer common conventions:

  • Color: Black & white

  • Font Size: 12 pt throughout, including titles

  • Font Type: Times or Times New Roman

  • Margins: 1-inch at the top and bottom, and 1.25 inch at the left and right. One space after periods. There should be no extra returns after paragraphs unless you have a meaningful reason for the extra space.

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Using Submittable

• Please upload submissions through Submittable. We do not accept email submissions or hard copies via mail.

• Upload only one piece per submission file; to submit more than one piece, make more than one submission file.

• Submissions for this contest are free.

• There is a submission cap of 200 submissions, so we may close submissions for the contest before the deadline if we receive 200 submissions. We recommend submitting early, to ensure that you do not miss the deadline.

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Prize

There will be one winner and two finalists. The winners/finalists will receive:

• Publication in Polyphony Lit Volume 21

• Eligibility for the Claudia Ann Seaman Awards

• Editorial feedback from the Contest Judge

• Social media posts announcing the winners

• A full scholarship for Polyphony Lit’s "How to be a Literary Editor" course. Upon completion of the course, students will be eligible to join the editorial staff of Polyphony Lit!

• Please note that only the three winners will receive feedback from the Judge.

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Additional Guidelines for Creative Nonfiction​

• At Polyphony Lit, we look for creative nonfiction pieces that are written in the style of short personal memoirs. We are looking for pieces that are informal, flexible in form, and most importantly, personal. Personal discovery is the keystone of a personal essay. Self-revelation, human experiences, humor, and flexibility of form are all aspects that we look for in pieces we publish as creative non-fiction.

• We do not look for op-ed pieces, critical analyses, research papers, or academic essays.

• We would advise reading some samples of our work, in order to understand the material that we publish. Here are some samples of creative nonfiction that we have published:

• Memories of the Boy I Didn't Know

• responses to love

• Holiday in a Burning City