Over a Late-Night Call, My Friend Remarks That He Likes to Watch Us Suffer
Henie Zhang
Shanghai, China
Concordia International School Shanghai
Poetry
The first time the ocean found its way into my lungs, I felt my rib cage become
a red balloon. It engorged
and popped and as the surfboard
tumbled away I felt myself flying,
stitched into the ocean like a bird on a tapestry. I thought I would become
another happy bubble lapping
at my mother’s skirt. Even long after my parents found me, a heaving,
disbelieving sacrifice on the wet sand
the ocean remained. It left a piece
inside my mouth, a second skin breathing
across the expanse of my tongue & ever since
my words have tasted like a laboratory. As did the words
of all my similarly sea-borne friends. Each conversation
became a trade, a scathing clink of syllables
for a net of spinning white shrapnels
nestled between the incisors. Such is the kinship
between squirming flies: we will discuss the injustice of putting
bad arugula in salad but will not go on hunger strikes
for freedom, and much to the horror
of the cobweb-haired we will even fashion memes
out of mass destruction. Everyone in the world
deserves a sprinkling—the lunch lady. The bus driver. The defiant girl
with the skirt half an inch above her middle finger.
But beneath the un-mined scabs
is the soft prickle of something that has eluded us. An almost had it, or him, or her. It is the emotion of something inflating so quickly inside your chest you will let it loop
around your hand & lead you anywhere
on this planet. It is an itch
dangled at the edge of your mouth,
enough to make fate taste like fine home cooking. It is the act
of furnishing shooting stars out of the feeling of being crushed. It is the act of making a fist underwater and throwing it
at the dark shapes ahead. The salt of the earth
is now the light of the world—we are diving, pushing our heads
back through the waves. Spitting shells & thread until
our lips, too, birth strangers.
ELOGIO EDITORIAL
The physicality of this poem is profound. At first, it is the blue hurl of the ocean, its distant rise and come; it sounds deceptively good. But when it comes, it is a torrent. It feels red and evil, cruel and intense. It puts you down, thrashes, makes you feel bad and wasted. And then a pause, a white moment that is perfectly tangible: the diction softens, the movement slows and lengthens. It almost takes you home. But it resumes. Cold and strange miracle, it thrusts itself to a product by sheer force of will. This is the feeling of the poem, and within it, a brutal sort of growing.
Henie Zhang is a senior from Shanghai. She is the co-editor-in-chief of the Zeitgeist Literary Magazine and, when not writing, can often be found fiddling with a camera or trying to keep her plants alive with moderate success.
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