By Giancarlo Riccobon, Daniel Boyko, and Yong-Yu Huang Giancarlo Riccobon My favorite line comes from the first draft of a short story...

By Daniel Boyko and Zoha Arif So, you’re in the mood for something spicy. Something extravagant, a piece in which the English language...

By Daniel Boyko, Sally Park, and Nishka Dalmia So, a submission magically appears on your Submission Manager, and you’re prepared for the...

By Zoha Arif They say that Einstein birthed the theory of relativity in the mystic dungeon of a Swiss Patent Office. They say that Isaac...

By Giancarlo Riccobon Okay, maybe a more accurate title would be, “Show, Don’t Tell, Except for When You Need To Tell.” But that’s not as...

By Zoha Arif Kids, behold Master Sensei, the CEO and Founder of the Fortune 500 Onion Ninja Industries. Master Sensei has been prosperous...

By Daniel Boyko and Maya Nalawade Ignorance is bliss. Better safe than sorry. Play your cards right. A fish out of water. What do all of...

By Hannah Ramsey and Daniel Boyko Hannah Ramsey: I know that whenever I’m editing a submission, whether it be a very personal nonfiction...

By Daniel Boyko and Zoha Arif It is a universal consensus that writing dialogue is a trial—a detestation on its own—and one of those...

By Jessica Kim [In conjunction with “Editing a Piece That Frustrates You”.] Grammarly is indeed a lifesaver. It corrects “response for”...

By Daniel Boyko, Jennifer Wang, and Zoha Arif Some people eat paper. Some prefer poetry, others eat prose, and some are on a more diverse...

For some editors, opening Submission Manager and seeing the genre listed as “fiction” strikes fear deep into their hearts. Maybe it’s...

Prior to the thrill of receiving their Submission Manager account and their very first submission, all Polyphony Lit editors undergo a...

By Grace Yue Editing others’ work can be a humbling experience. You look at his or her writing and think, I could never write anything as...